A documentary about a power thief, the government official who tries to stop him, and the larger story about the lack of power and infrastructure in India’s small towns is making news at the Mumbai Film Festival.
“Katiyabaaz” (Powerless) chronicles the clash between Loha
Singh, a Robin Hood-style power thief who claims to be the best in the business,
and Ritu Maheshwari, a government official who is determined to stop power theft
in the industrial town of Kanpur in Uttar Pradesh.
The film will screen
at the Mumbai Film Festival, which begins Friday.
Directed by documentary
filmmakers Fahad Mustafa and Deepti Kakkar, the 84-minute movie screened at the
Berlin and Tribeca film festivals before appearing in Mumbai.
is as much about the energy crisis in India and globally as it is about the
ingenuity and tenacity of the people in Kanpur. It is also a film about the
challenges of governance, the numbers and scale that our policymakers must
contend with,” Kakkar told Reuters in an email interview.
Mustafa, who is
from Kanpur, and Kakkar spent more than two years following Loha Singh as he
climbed electricity poles, strung together wires and brought power to several
small workshops and businesses that need uninterrupted power to
“It’s all because of him – it is his blessing that this
workshop is running,” one worker says as the lights flicker on.
Indian government estimates that almost 20 percent of power generated in the
country is stolen. The country has never overcome its chronic power crisis, and
some analysts say it is a key reason why it might fall behind in its quest to
compete with China and other developing nations. Peak demand shortage is pegged
at 10 percent, according to government estimates.
In an industrial town
like Kanpur, known for its leather and textile industries, lack of power can be
crippling, and lives and livelihoods are at stake, Mustafa said.
ostensibly a story about a lack of infrastructure, but I like to think that it
also touches upon many other aspects of life in cities in India, the
inequalities and struggles therein. For me, the city of Kanpur itself is a
character to be reckoned with on film,” he said.
The protagonist of the
film, he said was a “discovery’, and symbolic of the travails that his city had
“We met a lot of electricity thieves in Kanpur (indeed, it seems
half the city steals electricity), but no one like Loha, a person who owned
himself, a legend in his neighborhood, foul-mouthed, fiercely independent, a
true working class hero, and a product of the travails of the city,” said
In the trailer of the film, Singh is shown biting off wires,
attaching them to electricity poles, and laughing off threats from Maheshwari’s
people, who are determined to stop power theft. Often, he is supported by
citizens, who blame the government for not providing them with uninterrupted
“The electricity people force even an honest man to become a
thief,” an irate man tells the camera.
It is this inequality and
dichotomy that both film-makers said stood out starkly during their film-making
“The scale of energy paucity in India is staggering. Of the 1.5
billion people worldwide who live without power, 400 million live in India. We
want to put this crisis into perspective and bring it home to people,” Kakkar